Light rays don't scale with sensor size. The assertion that most lenses are designed to be sharpest at f/8-11 is not applicable to small sensors and lenses designed for them, with or w/o with irises. The ray angles become more severe, sooner. Herein2021 you're a gaslighting windbag. And just like a troll with multiple personalities, keep talking to yourself. Eagle928 I called you out for spreading false information, so that makes me a hater? Honestly, where do you (two? Same troll?) find enough time in the day for this nonsense?
I would think the customer would be more concerned about getting a good shot. I wonder if he does the colorizing/editing himself or sends it out and that's what the 3rd party wants.I do some commercial real estate and am usually required, by the customer, to keep my aperture wide open for his shots and provide him with raw pictures. I use an ND filter in the winter, with the sun low, on either bright blue sky days or with haze in front of the sun, especially when looking south. If I don't use one, the southern facing shots are blown out and look unfocused (and I won't get paid).
I give him a good shot, just have to drop the light enough to get it in the range of shutter speeds the drone can handle. This company is very tight with their setups. They even make me take inside shots at F/8 and I haven't been able to convince them otherwise. I use a tripod and an android app to trigger the camera which is fine for structure, but still allows for motion blur if anyone walks by.I would think the customer would be more concerned about getting a good shot. I wonder if he does the colorizing/editing himself or sends it out and that's what the 3rd party wants.
I guess the bottom line is the customer gets what the customer wants since they are paying for it. Still a bit of a head scratcher though.I give him a good shot, just have to drop the light enough to get it in the range of shutter speeds the drone can handle. This company is very tight with their setups. They even make me take inside shots at F/8 and I haven't been able to convince them otherwise. I use a tripod and an android app to trigger the camera which is fine for structure, but still allows for motion blur if anyone walks by.
I don't know all the science that's been mentioned above, but I will add these thoughts:
1. I have a postal scale that reads down to 1 gram. Neither the UV filter that came with my EVO I, nor the ND/CPL I use, register even 1 gram. I don't believe there's any additional load on the gimbel motor.
2. It's not another lens. It's replacing the UV filter that came on the gimbal.
3. I use a ND/CPL because it will allow the camera to operate in the correct exposure range, rather than try to fight over-exposure. Also, the CPL isn't just for water glare. Just as on any SLR camera, it provides more vibrant colors.
4. I'm not sure when you shopped prices, but they're not expensive at all. Anybody who paid a thousand dollars or more on a drone shouldn't have a problem increasing the drones ability by spending a few extra bucks.
5. This may not apply to EVO II users, but an EVO I flying forward at even moderate speed has the props in the video. An ND filter adjusts the blur to virtually eliminate that issue.
6. Setup time? 10 seconds if I really need to change it for the conditions (usually not). Camera modification ("breaking the original factory sealed filter")? I think that's grasping at straws.
In summary, and respectfully, I'm of the exact opposite view. There is no reason NOT to use an ND filter.
You lost me at 'drones cannot make blurry waterfalls.' I'm happy to share plenty of slow-shutter shots if you like.
Sorry chap, but I believe you're missing the point altogether here. Many of us have personally tested motion blur effect with all of our drones, using ND filters and without, throwing shutter angle out the window, and then dialing in again for proper comparison.
Either your monitor is lying to you, or perhaps you just cannot see it, but there's definitely flicker in the brighter daylight non-ND filter scenes, nothing to do with rate conformity at all. Cameras are cameras. Your 20mp drone sensor works on the same principals as your other cameras. ND filters have a place, and as already stated, not all places.
As for the part about ruining your lens or killing the gimbal motors, meh...I disagree again. If you're not competent enough to handle a simple filter swap, you have no business flying anything, all the way down to a simple kite. ND filters aren't known to be 'drone killers'.
There are just too many bad bullet posts here so I'll just say - I'm a professional photographer - more motion picture than stills but many stills as well - for 45 years. I read this toxic post and hope that there are more people than not here that will study the problems with fast shutter speeds when shooting with out of focus foregrounds (FG) as it pertains to video that will be incorporate with feature work, i.e. narrative, promos or even docs. The main issue w/o using an ND is strobing and, as mentioned, in some circumstances, deep focus.. Not the night-time strobing of out of sync street lights, etc, but fast shutter speed issues that are seen with a nominal speed BG and a fast speed FG.I see a lot of posts regarding ND filters for people's drone cameras and each time I ask myself why; why are people buying ND filters for their drone cameras, risking their gimbal motors, potentially damaging their camera lens, etc. etc. for an almost imperceptible amount of additional motion blur if any at all. I have never used an ND filter on any drone that I have owned and I have worked hundreds of projects for paying customers over the years; not a single one has said my footage doesn't have the proper motion blur or asked for a reshoot or a refund because they could tell I didn't have an ND filter on my drone. Sure, if you are shooting the next Hollywood blockbuster and using hexacopters to lift $100K worth of cinema cameras into the air then an ND filter just makes sense.....but for Youtube, Instagram, Vimeo; where your video will probably most commonly be viewed at 320P on a 5" cell phone screen? It makes no sense at all to me.
I know a lot of people use ND filters with their drone cameras but in my opinion I think a lot of people use them just because they have read somewhere that they are supposed to use them based on the 180 degree shutter angle rule (i.e. shutter speed "should" be 2x the frame rate). But if you study the reasons why that rule came about you may reach the same conclusion that I did; which is that it doesn't make sense for drone footage.
The shutter angle/shutter speed rule is meant to reduce or eliminate flicker in certain scenarios such as at night under street lights. Well when you think about it how often is a drone in that situation? The rule is also meant to ensure that there is the "proper" amount of motion blur during fast camera movements; once again, how often is a drone close enough to an object for it to matter? So what about fast moving objects other than the drone.....once again, how often is the drone close enough to that object for the motion blur difference to really be noticeable? And if you still want that barely noticeable motion blur that you feel like you are missing...it takes seconds to add it from within your NLE as you are editing the video.
So if there's not much benefit to using ND filters on drones are there any downsides? Sure there are:
So after looking at all of the pros and cons I personally just ignore the shutter angle / shutter speed rules and increase my shutter speed as needed to properly expose the scene. With a drone like the EVO II 6K at F11 ISO 100 I can practically point it at the sun and still not be much over 1/200s.
- Another Lens - ND filters are another lens between the camera and the scene which means its another thing that can get smudged, dirty or dusty, and can affect the incoming quality of light
- Image Degradation - Cheap ND filters can add a color cast, corner softness, chromatic aberration, and other problems to the image the camera records. Even the most expensive ND filters out there tend to add a slightly green cast.
- Gimbal Motor Burnout - This was the main reason I chose not to use ND filters years ago. Back then they were heavy and not designed for drones. People were reporting their gimbal motors burning out trying to support the additional weight of the ND filter on the front of the camera. What may feel nearly weightless to humans is still an additional load on the gimbal motor that was not accounted for in the original design of the drone's gimbal motors.
- Cost - ND filter sets for drones are not cheap, they are easy to break and to lose and offer marginal if any benefit to the actual footage. Drones have a very limited lifespan (the avg is 3yrs), so almost every accessory that you buy for one is wasted if you crash it or get a new drone.
- Setup Time - They add to the drone setup time. You have to figure out the proper ND filter based on the current ambient lighting situation and there's always the chance it could change drastically while you are in the air (i.e. the sun goes behind heavy cloud cover or you fly beneath tree cover).
- Camera Modification - If the ND filter has to replace the UV filter you are breaking the original factory sealed filter which will increase the chances of getting dirt, moisture, and other undesirables behind the lens. The better solutions slip over the UV filter....but then there's the weight problem.
Another thing people then frequently say is..."but they've seen xyz's footage on YouTube and it looks like it is stuttering....if the YouTuber had ND filters and had properly followed the 180 degree shutter angle rule their footage would not have stuttered and been choppy". This is another common misconception; the shutter speed does not make the footage stutter, the typical cause of stuttering YouTube footage is due to whoever shot the footage incorrectly conforming the footage in post to the timeline framerate they intended to render to. Many times people shoot at 60FPS then try to export the timeline to 24FPS.....without properly configuring their NLE to account for the fact that 24FPS is not 50% of 60FPS which brings me to my next point which is that I don't understand why people shoot in 24FPS....but that's another topic/rant for a different day.
My simple advice to get the best footage out of these drones in bright daylight; shoot at 60FPS or 30FPS, use a 30FPS timeline (29.97FPS), render your footage at 30FPS (29.97FPS), push the F stop to F11 and keep the ISO at 100, then use whatever shutter speed is needed to properly expose the footage and leave the ND filters to the regular cameras or the Hollywood blockbusters. BTW, I have absolutely nothing against ND filters themselves, I use them nearly daily with all of my other cameras to control the shutter speed either for video or for photography; its just that when it comes to drones I can't think of a single use case where they would provide any value whatsoever.
Your bullet points are absolutely, well, lazy. 'Clean the glass'? 'Softness?. If you're a 'pro' then you are certainly the most lazy pro. You'd be fired on the spot if you had to work with any client (DPs included) who knew what was proper.I see a lot of posts regarding ND filters for people's drone cameras and each time I ask myself why; why are people buying ND filters for their drone cameras, risking their gimbal motors, potentially damaging their camera lens, etc. etc. for an almost imperceptible amount of additional motion blur if any at all. I have never used an ND filter on any drone that I have owned and I have worked hundreds of projects for paying customers over the years; not a single one has said my footage doesn't have the proper motion blur or asked for a reshoot or a refund because they could tell I didn't have an ND filter on my drone. Sure, if you are shooting the next Hollywood blockbuster and using hexacopters to lift $100K worth of cinema cameras into the air then an ND filter just makes sense.....but for Youtube, Instagram, Vimeo; where your video will probably most commonly be viewed at 320P on a 5" cell phone screen? It makes no sense at all to me.
I know a lot of people use ND filters with their drone cameras but in my opinion I think a lot of people use them just because they have read somewhere that they are supposed to use them based on the 180 degree shutter angle rule (i.e. shutter speed "should" be 2x the frame rate). But if you study the reasons why that rule came about you may reach the same conclusion that I did; which is that it doesn't make sense for drone footage.
The shutter angle/shutter speed rule is meant to reduce or eliminate flicker in certain scenarios such as at night under street lights. Well when you think about it how often is a drone in that situation? The rule is also meant to ensure that there is the "proper" amount of motion blur during fast camera movements; once again, how often is a drone close enough to an object for it to matter? So what about fast moving objects other than the drone.....once again, how often is the drone close enough to that object for the motion blur difference to really be noticeable? And if you still want that barely noticeable motion blur that you feel like you are missing...it takes seconds to add it from within your NLE as you are editing the video.
So if there's not much benefit to using ND filters on drones are there any downsides? Sure there are:
So after looking at all of the pros and cons I personally just ignore the shutter angle / shutter speed rules and increase my shutter speed as needed to properly expose the scene. With a drone like the EVO II 6K at F11 ISO 100 I can practically point it at the sun and still not be much over 1/200s.
- Another Lens - ND filters are another lens between the camera and the scene which means its another thing that can get smudged, dirty or dusty, and can affect the incoming quality of light
- Image Degradation - Cheap ND filters can add a color cast, corner softness, chromatic aberration, and other problems to the image the camera records. Even the most expensive ND filters out there tend to add a slightly green cast.
- Gimbal Motor Burnout - This was the main reason I chose not to use ND filters years ago. Back then they were heavy and not designed for drones. People were reporting their gimbal motors burning out trying to support the additional weight of the ND filter on the front of the camera. What may feel nearly weightless to humans is still an additional load on the gimbal motor that was not accounted for in the original design of the drone's gimbal motors.
- Cost - ND filter sets for drones are not cheap, they are easy to break and to lose and offer marginal if any benefit to the actual footage. Drones have a very limited lifespan (the avg is 3yrs), so almost every accessory that you buy for one is wasted if you crash it or get a new drone.
- Setup Time - They add to the drone setup time. You have to figure out the proper ND filter based on the current ambient lighting situation and there's always the chance it could change drastically while you are in the air (i.e. the sun goes behind heavy cloud cover or you fly beneath tree cover).
- Camera Modification - If the ND filter has to replace the UV filter you are breaking the original factory sealed filter which will increase the chances of getting dirt, moisture, and other undesirables behind the lens. The better solutions slip over the UV filter....but then there's the weight problem.
Another thing people then frequently say is..."but they've seen xyz's footage on YouTube and it looks like it is stuttering....if the YouTuber had ND filters and had properly followed the 180 degree shutter angle rule their footage would not have stuttered and been choppy". This is another common misconception; the shutter speed does not make the footage stutter, the typical cause of stuttering YouTube footage is due to whoever shot the footage incorrectly conforming the footage in post to the timeline framerate they intended to render to. Many times people shoot at 60FPS then try to export the timeline to 24FPS.....without properly configuring their NLE to account for the fact that 24FPS is not 50% of 60FPS which brings me to my next point which is that I don't understand why people shoot in 24FPS....but that's another topic/rant for a different day.
My simple advice to get the best footage out of these drones in bright daylight; shoot at 60FPS or 30FPS, use a 30FPS timeline (29.97FPS), render your footage at 30FPS (29.97FPS), push the F stop to F11 and keep the ISO at 100, then use whatever shutter speed is needed to properly expose the footage and leave the ND filters to the regular cameras or the Hollywood blockbusters. BTW, I have absolutely nothing against ND filters themselves, I use them nearly daily with all of my other cameras to control the shutter speed either for video or for photography; its just that when it comes to drones I can't think of a single use case where they would provide any value whatsoever.
This is by far the most uninformed example of DOF. I mean, shooting STRAIGHT DOWN to a flat subject!!??? You must think people are pretty dumb.Sensor size has nothing to do with the way a camera and lens operates so basically in lieu of any actual facts or evidence to the contrary that's all you can come up with. Since diffraction is such a "strong argument" for ND filters you should have no problems picking the images below that were shot at F11.
I even made it easy....same time of day, same distance from subject, and a scene with plenty of detail in the tracks and rocks.
View attachment 9885View attachment 9886View attachment 9887View attachment 9888View attachment 9889
Great eye test, ha! Subjectively I liked #4 the least. Maybe it's just because it had a slightly bluer cast than the others, or perhaps something else on a subconscious level? Can you reveal what the settings were on each of these? Thanks!Sensor size has nothing to do with the way a camera and lens operates so basically in lieu of any actual facts or evidence to the contrary that's all you can come up with. Since diffraction is such a "strong argument" for ND filters you should have no problems picking the images below that were shot at F11.
I even made it easy....same time of day, same distance from subject, and a scene with plenty of detail in the tracks and rocks.
View attachment 9885View attachment 9886View attachment 9887View attachment 9888View attachment 9889
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