Hi All, new here to the forum and absolutely FRUSTRATED with the BS Customer Service AR has, guess they never deal with professional cinematographers. I've been in the film and television industry 30 years. I've added this drone to my complement for broadcast sports (FOX, ESPN, CBS, etc..). The main reason was the camera sensor, smart controller and no geofencing. They did lie to me about never being added to the CMC list, well, we know how that went.
Here's my questions for everyone (which I've asked Autel and given visual ref and nomenclature) many, many times and they say they can't provide an answer? WHAT? How can you market that this is professional and can't have an Engineer give me specs, much less publish them?
They have no idea what IRE is... For those that don't know, with professional broadcast cameras, We have this thing called Zebra Bars which show overexposure of your frame and it's usually set at 95% so when you say, see it in an interview subjects forehead, you are perfectly exposed and not over exposed. They can't tell me what the over exposure warning is on the V3 remote! That's tv 101! Why have it if you can't tell me the setting?
DeFogger is a great tool but they can't tell me if it's adjusting the gamma's in camera as myself and others think it's doing? Are they just crushing the blacks?
ROI... Region of Interest. What the heck does this do? Again, no one can give me an answer. Does it just keep focus on a specific region and focus on the subject?
If I'm missing something, please tell me where to find it. I also want better control over the joystick sensitivity, It should have controllable speed as the tilt, pitch wheel has. I shoot LOG and then color correct everything. If you don't, learn how to paint and make shots beautiful. Shoot RAW photo's and always try to keep the F-stop at a 5.6, ND filters are your friend as well as Polarizer's. Finally, shoot 4K 60fps! No need for 24p, why limit yourself to small amounts of data when you can get so much more in 4K60. Make it pretty in post. I do love the camera and feel it's better than DJI.
Thanks all!!
Here's my questions for everyone (which I've asked Autel and given visual ref and nomenclature) many, many times and they say they can't provide an answer? WHAT? How can you market that this is professional and can't have an Engineer give me specs, much less publish them?
They have no idea what IRE is... For those that don't know, with professional broadcast cameras, We have this thing called Zebra Bars which show overexposure of your frame and it's usually set at 95% so when you say, see it in an interview subjects forehead, you are perfectly exposed and not over exposed. They can't tell me what the over exposure warning is on the V3 remote! That's tv 101! Why have it if you can't tell me the setting?
DeFogger is a great tool but they can't tell me if it's adjusting the gamma's in camera as myself and others think it's doing? Are they just crushing the blacks?
ROI... Region of Interest. What the heck does this do? Again, no one can give me an answer. Does it just keep focus on a specific region and focus on the subject?
If I'm missing something, please tell me where to find it. I also want better control over the joystick sensitivity, It should have controllable speed as the tilt, pitch wheel has. I shoot LOG and then color correct everything. If you don't, learn how to paint and make shots beautiful. Shoot RAW photo's and always try to keep the F-stop at a 5.6, ND filters are your friend as well as Polarizer's. Finally, shoot 4K 60fps! No need for 24p, why limit yourself to small amounts of data when you can get so much more in 4K60. Make it pretty in post. I do love the camera and feel it's better than DJI.
Thanks all!!