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Recent content by maustintx

  1. M

    Color science on Evo 2 Pro

    Wow! I can't wait to try it out! Thanks a million. Mark
  2. M

    Color science on Evo 2 Pro

  3. M

    Color science on Evo 2 Pro

    Thanks for the reply, I have not tried the Autel LUT, although I usually don't like to apply a LUT until the last stages of CC, and if I'm using different cameras (which I do a lot of) it creates workflow issues when I can't use DCM. DCM is my preferred workflow since it makes working with other...
  4. M

    Color science on Evo 2 Pro

    Here are a few examples of some (downsampled) 12k BRAW images, one with Davinci YRGB, one with DCM and one with ACEScct color management. DYRGB is the RAW FIle, the DCM looks the most natural the ACEScct looks the most vibrant. The only difference was setting up the color management in...
  5. M

    Color science on Evo 2 Pro

    I have tried the Sony Log(s) and none give me the results I would expect.. With ARRI Raw & Resolve DCM the raw images look awesome. Maybe it's something in the way the Autel encodes the log images E2P
  6. M

    Color science on Evo 2 Pro

    Unfortunately I haven't found anything that really works yet. I have tried setting up Davinci Color Managed and ACES cct (which seems to be marginally better that DCM) and almost every log profile there is in Resolve but I have yet to discover the actual log profile. DJI provides them (natively...
  7. M

    Color science on Evo 2 Pro

    Actually color science is a thing… and if it’s set up correctly in DaVinci Resolve it will give you a pretty accurate base grade. It’s really surprising that every pro “cinema” camera has a native color science for their log footage / sensor but Autel doesn’t seem to have (or know) about it. All...