Short series of shots of Little Venice Island in NorCal.

[jcommstudios]

4K 60p shot in color mode none and graded in Premiere. Rendered 4K 30p

 

[Tman1265]

4K 60p shot in color mode none and graded in Premiere. Rendered 4K 30p

Wow, great color... What did you use to shoot or process with?

 

[jcommstudios]

Wow, great color... What did you use to shoot or process with?

@Tman1265 Thanks. I shot in the "none" color mode at 4K60p with the standard clear UV lens and an ND4 later in the day. White balance was manual and set at 5200 Kelvin.
The color grading was done in Adobe Premiere. I used an RGB curve that I created that was based on the Canon Technicolor Cinestyle S-Curve. I also used a procamp with the settings - Brightness -3 , contrast 106.0 Hue 0 , Saturation 118. These are just starting points and I adjust the procamp's brightness, contrast and saturation as needed per scene. Attached are a couple of screen captures that will give you an idea of how the settings look on the timeline. One is the overall setup and the second is a splt screen with correction and no correction.
I hope this gives you some info on grading the EVO's footage. I am still digging this flying camera 1 1/2 years into shooting it.
You might want to click on the screen captures below to enlarge them to get a better understanding of how the effects are set.
All the best, Jim

 

[Tman1265]

@Tman1265 Thanks. I shot in the "none" color mode at 4K60p with the standard clear UV lens and an ND4 later in the day. White balance was manual and set at 5200 Kelvin.
The color grading was done in Adobe Premiere. I used an RGB curve that I created that was based on the Canon Technicolor Cinestyle S-Curve. I also used a procamp with the settings - Brightness -3 , contrast 106.0 Hue 0 , Saturation 118. These are just starting points and I adjust the procamp's brightness, contrast and saturation as needed per scene. Attached are a couple of screen captures that will give you an idea of how the settings look on the timeline. One is the overall setup and the second is a splt screen with correction and no correction.
I hope this gives you some info on grading the EVO's footage. I am still digging this flying camera 1 1/2 years into shooting it.
You might want to click on the screen captures below to enlarge them to get a better understanding of how the effects are set.
All the best, Jim

Oh wow, thanks.... way over my head!